Watching movies is always fun and watching it at the comfort of our home is always an added bonus. However, people always whirl around sites to search for the accurate portal which will enable them to watch movies online.

Generally, common surfers don’t have a clue about how to watch movies online. Actually, the process is pretty simple and anyone can access the online movies if they have a PC or laptop and a high speed internet connection. Moreover, apart from movies, a movie buff can even watch latest movie trailers online, surf through the categories of Movie titles, check out the box office blockbusters, showtimings of nearby theatres and an online database or storehouse of movie collection. It’s a Pandora’s Box out there with online movie portals, just check in what it has in store for you.

Internet is the resource tool for all online movie portals. Since internet broadband, DSL, modem etc. have become household names; they have reticulated into all of our daily lives and one of such benefits which you can reap from it is watching online movies. Yes…now watching cinema is not only limited to theatres or televisions, but with internet connectivity, you can enjoy the latest blockbuster collection in your drawing room. Whenever a new movie hit the theatres, people sit in front of the giant screen, with a tub of popcorn in their hand but a boat load of money goes away.

Instead, when you watch movies online you can experience the same movie on an HD quality picture and dolby surround sound within the comfort of your home by paying just few dollars (much less than what you pay at the theatres). Moreover, when you access the online movie portals, you are even served with additional features apart from the movie. You can even watch latest movie trailers online, star interviews, conduct online bookings and can access the show timings as well. Even when you book a movie title against a minimum payment from a long list of categories; you get to read the editorial reviews of that particular movie before buying. Thus for customers it’s always a win-win situation and the quality of the print and sound is far ahead than a CD or a DVD.

The most important technical factor to watch movies online is that there is no need to burn anything, no need of streaming any video. Rather the process is simple, where you can need to log in and against a small payment, you can get the titles to watch. However, watching movies do have certain instructions to follow. So here are some of the short and precise instructions which would help you to access movies online.

o Read the reviews of video-on-demands and rate the services

o Compare the sites and check the navigating and accessibility issues

o Browse the site and select the movies

o Find out whether the site is a rental site or not

o Check out the prices of the titles

o Check that whether movie player need to be downloaded

Cinema goers have had a long-standing fascination with vampire movies. The latter echoes age-old archetypal themes people can readily identify with, while it allows for the vicarious scrutiny of the complexity and potency of human sexual impulses on screen. It also reflects contemporary transformations in social discourse pertaining to these issues. Looking at the movies also offer indirect insights into the psyche of the viewer.

The archetypal motifs and characters portrayed in these movies are among the genre’s appealing features. The on-screen portrayal of the good against evil theme around and within people has always spoken to the essence of the human condition. Back then folk could identify and sympathize with the vampire’s vain yet understandable struggle for not just immortality, but also to remain forever youthful, strong, and beautiful.

The vampire’s fight against inevitable extinction echoes this general fantasy in each viewer. Of course, in everyday life people do not ordinarily go to the extreme of sucking blood from others. Yet this quintessential vampiric act remains a powerful metaphor for the human situation. Not unlike the fanged demon needing victims to thrive in the dark, people do depend on others to survive.

The blood-sucking hero can only exist in darkness. This is of symbolic significance in that the sharp-toothed one’s dark desires exemplify people’s dark side. Like the despicable bat-lover, cinema fans do have self-centered dark fantasies of power, omnipotence and excessive predatory sexual indulgence.

Modern varieties of such flicks have increasingly used vampirism as a metaphor for human sexual awakening and loss of innocence. Older vampire cinematic portrayals of human sexuality have pretty much echoed the dominant cultural discourses on the sexual objectification of women. In most Dracula movies women are defenseless objects of predatory male lust.

However, many such modern films do challenge social conventions about human sexuality. As an example, one from the 1970s features a lesbian vampire stalking a new bride. In another, a Countess kissed the necks of female virgins and bathed in the blood, believing it would preserve the demon’s youth. Interview with the Vampire however focused on the male demons as sex objects, portraying the lead actors as seductive yet tortured souls.

As cinematic spectacles, vampire films have undergone changes. Themes of romance and love have come to dominate the modern genre. The current fashionable breed of teenage vampire cinema does not seem interested in scaring moviegoers. Instead, modern day vampires resemble catwalk models oozing loads of sex appeal on the screen. And instead of chasing after buckets of fresh human blood, these end up in impossible romantic relationships.

Cinema lovers find vampire movies fascinating because these exemplify themes and issues peculiar to the viewer’s own life. Battles of good and evil, the powerful and often problematic intrusions of sexual impulses, and transformations in cultural mores all find reflection in the genre. Thus, these flicks are appealing as it allows people to look at the darker side of human existence as entertainment spectacle at a safe distance in the darkness of the cinema theater.

Have you ever wondered what it would be like to see through Pinhead’s eyes and witness the same cruel-evil world that he does with his pinhead contact lenses? Considered the darkest and most malevolent eyes of all the cenobites, some even deem Pinhead to have the darkest stare of all the horror films.

Pinhead Contacts make for a perfect add on for a pinhead look. In addition to the Hellraiser look, you will find that these lenses also go with the following costumes:

– Metaphysical or Fictional Type Creatures

– Devil -or- Demonic Force

– Grim Reaper

– Elf -or- Goblin

You can be be the ultimate rocker at any rock concert, the scariest at the next costume party, or the sickest freak at any Goth club by slipping in the the Hellraiser Contact Lenses. You can also scare the hell out of your buddy’s or family -or- have some fun with your companion with the Hellraiser Contacts.

You will immediately be an authority while wearing them. Pinhead Contacts that are very realistic, comfortable to wear and are considered the maximum quality in the FX contacts industry. They are safe to use and are FDA Regulated. Available for non-prescription use only.

Pinhead Story

As leader of the cenobites, Pinhead is everyone’s favorite movie monster. Sternly out to collect souls, he has been summoned from an alternative dimension by a supernatural and mechanised small box, referred to as the Lament-Configuration.

Pinhead has frightened a lot households from all 8 of his movies. The original movie was a smash hit directed by Clive Barker, which was released in 1987.

Pinheads wicked acts is considered by monster connoisseurs on the same level as Freddy krueger, Jason Voorhees and Micheal Myers. His monstrous guise features a pale and colorless face complexion, long pins driven into his skull and face, low demonic type voice, and eyes that feature an over-sized black pupil with a blood red thin iris.

The Omen, released in 1976 managed to create an indelible impact on the horror genre. Starring movie veterans Gregory Peck and Lee Remick, with Harvey Spencer Stevens as Damien, they are the unsuspecting couple who find their idyllic lives turned upside down by a decision that was to prove fatal.

The film opens with Peck, an American Diplomat, arriving at a hospital in Rome to be met with the devastating news that his wife had lost their baby during childbirth, who is then persuaded by a priest to adopt a child that turns out to be the Antichrist.

There begins a tale of his meteoric rise to power with the aid of the wealth and influence of his adoptive family. With the help of a nanny played by Billie Whitelaw, and a menacing hellhound, who are just 2 of his followers who seem to arrive at timely moments throughout the films to ensure he meets his destiny, and who swiftly dispatch with all his enemies one by one. The Omen culminates in a memorable finale in a Church at the end of the film when Robert Thorn finally accepts that his son is in fact the Antichrist after discovering his birthmark ‘666’, as the bible says all the apostles of Satan possess, and resigns himself to killing him.

Damien: Omen II was a memorable sequel, and was for many the preferred film, although The Omen remains the critic’s choice, and was indeed the 4th highest grossing film of that year. However, Damien, played brilliantly by unknown actor Jonathan Scott-Taylor, who managed to provide an air of demonic intent that enables the viewer to suspend disbelief throughout the film, with a supporting cast which included William Holden and Lee Grant, who together make this a worthy and highly enjoyable successor.

At 12-years-old, Damien is now living in Chicago with Robert Thorn’s extended family and attending a military academy and is still unaware of his true identity. In Omen II Yigael’s Wall is revealed, an invention of the Omen movies that is excavated in Israel, and shows a series of drawings detailing the various stages of his ascension to prominence. A crow and a platoon leader at the academy, played by Lance Henrikson are among his allies in this film as he continues his murderous campaign.

The third outing for the Omen, Omen III: The Final Conflict, was probably the least successful of the original movies that does not live up to expectation. Sam Neil convincingly plays Damien as a 32-year-old and at the height of his powers. He is now the CEO of Thorn Industries and is excelling in his political career. The 7 knives of Megiddo having been dug up at the Thorn Museum in Chicago, what are to Damien what Kryptonite is to Superman, are now in the possession of a group of priests from Italy intent on the destruction of Damien, and who await the Second Coming of Christ as foretold in The Book of Revelation.

The disappointment of this film was due in large part to the end of the movie, which is fair to say is an anticlimax to what could have rounded off a brilliant horror series. Omen VI and a remake of The Omen in 2006 failed to reignite interest in the franchise, subsequently disappearing into DVD land without trace.

Despite that its influence in popular culture is undeniable, and The Omen remains an intense psychological horror with depth, too often in short supply if many of today’s offerings are anything to go by. Even the name Damien itself will be forever linked to the films and is unlikely to feature on the short-list of names for expectant mothers any time soon!

There are quite a lot of websites on the world wide web that offer links to web based movies while other websites allow visitors to rent them and also watch them directly on that site. There are also websites like Amazon which make it possible for you to purchase the movie pictures that you are looking for. By way of example, if you wish to get the best selling 2011 movies it is possible to get these conveniently on the Amazon webpage.

The key advantage a streaming movie offers is that there is no need to download the movie. In this way, you won’t have to worry about viruses and also other sorts of malicious issues which might possibly occur when downloading a file from the internet.

On the online sites which offer links to view movie films, most of them allow the customer to browse by movie title or by type. This is a really good tool that will help you search for your favorite movie quickly. By way of example, to have the latest movie pictures you can search by simply keying in new movies 2011. The other advantage is that you have the chance to enjoy other things besides movies, such as television shows, sporting events and so on.

The main drawback an internet site like this has is that, from time to time it can be very difficult to access it simply because of the overwhelming website traffic. This issue will likely clear up in a couple of minutes, so staying patience is actually the prudent thing to do. High quality online sites are kept up to date on a daily basis with the most current offerings of web-based movie films. Thus if you are in search of high quality image, these internet sites may just have got what you are looking for.

In order to view a movie or a television show in DivX format, you’ll need to download either a DivX player or a web player. This download deserves the space it’ll occupy on your hard disk as such a player is actually the quickest and also easiest way to enjoy a movie via the internet. Quite a few online sites that provide web based movies allow for memberships which enable consumers to elect to watch quite a few of the movie selections straight from the internet site. There is no need to wait to receive it via mail.

Watching movies on the web is probably the next best thing on the internet and online sites that provide you with the latest links to web-based movies and television shows is becoming a big hit. If you find this method is interesting it is a good idea to search for those online sites which provide lots of links. You should make sure they update the web site regularly so that you can get for instance, the newest episode from your favorite TV program or movies of 2011.

By simply browsing an online site like this, you will get to enjoy watching the perfect movie or television show from your chair right in your own home without having to worry about viruses, spam and so on. It is actually fast, easy and is actually getting very popularly accepted among movie enthusiasts.

3D movies are now making a comeback in mainstream cinemas. But what is a 3D Movie? It is actually a motion picture that boosts the illusion of depth perception. The technology that is being used in making 3D movies is derived from stereoscopic photography. A special motion picture camera is used to record the images as seen from two perspectives, and a special projection hardware and/or eyewear are used to provide the illusion of depth when watching a 3-dimensional motion picture.

It is a well-known fact that 3D movies have existed long before, but only in the start of 2010 that it was more developed into a more material product. 3D movies today are not given much significance within the movie industry predominantly because of the exceedingly expensive hardware, which is actually very necessary. Apart from the hardware, there are still certain processes that are essential in order to come up with one.

3D movies had a worldwide rebirth back in the 1980’s and 90’s when IMAX theaters ruled the high end cinema industry, and also some venues themed by Disney. At this time, they have progressively becoming more and more booming as time goes by, especially after the unmatched overall success of Avatar back in December of 2009.

Various entertainment-related businesses within the movie industry have now switched to 3D in most of their endeavors. The major rationale for this is that 3-dimensional movies are currently becoming one of the biggest income-generators in the whole world, particularly in Hollywood.

Different companies made their own rendering of three-dimensional movies so as to be part of the present excitement and hype that surrounds the greatest chartbuster of all time to date, Avatar. It earned as much as 2.4 billion dollars in worldwide ticket sales, numbers that make this particular movie by James Cameron the highest grossing movie to have ever been created.

A lot of people may possibly wonder why everyone else is going crazy when it comes to three-dimensional movies. However, if only everyone could actually watch a movie in 3-dimensional technology, then, they would absolutely be able to understand why everyone else has turned into 3D-crazy. Actually, ever since the smash hit Avatar was released, thirty-three percent of the income from box office movies came from 3D films. These statistical results are in accordance to the results done by the trade group, the International 3D Society.

What’s even more interesting about these numbers is that the thirty-three percent coverage only includes four 3-dimensional movies. Just picture what the figures could have been if all the three-dimensional movies were included in the study.

When people are trying out to find out why a lot of television manufacturers, cable companies, and movie creators have gone crazy with 3D, know that patrons will eagerly pay for more just to feel the 3D movie experience.

Count Dracula has been resurrected many times in the movies, especially in the Hammer ones. Conversely, he has also been killed off much more than once. When it came to coming up with some pretty novel – and gruesome – ways of disposing of the evil count, Hammer films were certainly outstanding in this respect.

In Dracula (1958), Hammer’s debut film in the Christopher Lee series, the count is vanquished by his arch enemy Professor Van Helsing (played so brilliantly by Peter Cushing), who bravely leaps across a table, whilst chasing Dracula through his castle, and pulls down the curtains, exposing the bloodsucker to the thing that is always guaranteed to roast a vampire into dusty nothingness: the sunlight of dawn. As Dracula crumbles away under the combined destruction of the sun’s rays and Van Helsing’s makeshift crucifix, hastily formed from two pieces of candelabra, we are witnessing the start of what would go on to be such an entertaining, iconic series involving the vampire lord.

In Dracula, Prince of Darkness (1965), the count is resurrected in the most gruesome manner imaginable: servant Klove cuts the throat of a suspended corpse over the sarcophagus containing Dracula’s remains… and as the blood flows down onto the ashes, the count slowly materialises back to life, whereupon he proceeds to feast on the vulnerable female visitors to his castle. At the climax of this sequel, Dracula slips under the ice to a watery grave as a priest shoots at the frozen moat around his castle.

But you can’t keep a good vampire down. In Dracula Has Risen From The Grave (1968), the count is resuscitated from his icy grave by the blood from the head wound of a priest who stumbles and falls down onto the spot under which Dracula’s body is lying in suspended animation, cracking the ice and trickling the blood onto the vampire’s lips. The death scene in this movie is truly my favourite Dracula exit of all. After a desperate struggle with the hero Paul (played by Barry Andrews) outside his castle, Dracula falls off a cliff and becomes impaled on a large cross, previously thrown down there by the hypnotised heroine Maria (Veronica Carlson). Some awesome Dracula death throes ensue, with the impaled count staggering around the woods with the top of the huge cross protruding from his chest, gasping and screaming in agony, blood pouring profusely from his body, as he gradually disintegrates, leaving only a crimson, viscous mess all over the cross and ground.

In Taste The Blood of Dracula (1969), which follows the story right on from where Risen From The Grave left off, a businessman (played by Roy Kinnear) who sells valuable artefacts, stumbles across Dracula’s remains, along with his cloak and ring. He gathers them up and takes them back to his shop, where he locks them away. However, he is bribed into parting with them by the sinister Lord Courtley (Ralph Bates), who then uses them for an occult ritual in an old desanctified church. The way Dracula meets his end in this movie has often been deemed a rather weak and questionable one by many Hammer fans. After the hero has put a large cross on the door and set out the altar as if in preparation for a holy mass, Dracula suddenly experiences strange hallucinations of the church coming to life, with priests chanting litanies amid a general atmosphere of religious ceremony. Becoming dazed and confused as this surreal mass rings unbearably through his head, Dracula falls down to his death onto the altar and, as always, crumbles to red dust.

The next movie, The Scars of Dracula (1970), presented a break from the continuity of all the previous films, as we find the remains of Dracula lying not in the old English church of the previous film, but in a sarcophagus in his Transylvanian castle. As angry villagers attach his castle, a vampire bat vomits blood all over his ashes, and once again our favourite count is up and running, raging with anger at the villagers who seem hell bent on destroying him. At the climax of this movie, I thought that the manner in which Dracula meets his death was a little too convenient and far fetched, for as the vampire is trying to hurl a steel pike back at the hero (Dennis Waterman), he is suddenly struck by a bolt of lightning. As the screaming count falls to yet another death, body aflame, you are left feeling a little disappointed that his demise this time was not handled a little more creatively and convincingly, instead of relying on a bit of fortuitous divine intervention from above. Still, despite the weak ending, The Scars of Dracula remains one of my all time favourite Dracula films.

The break from continuity continued on into the next movie, Dracula AD 1972 (1972). Like Scars, the opening scene in this one seems to bear no relation whatsoever to what went on in the previous film, with a titanic battle between Dracula and Van Helsing (Peter Cushing making a welcome return to his role) on a runaway stage coach. The culmination of the fight sees Van Helsing die as he valiantly impales Dracula on a broken coach wheel. Exactly a hundred years later, the count gets his first taste of blood in modern times, as he is revived (again in an old church) in a satanic ritual performed by a group of teenagers, led by a descendant of one of his followers, a Johnny Alucard. Mirroring somewhat the stagecoach battle that occurred back in 1872, a descendant of Professor Van Helsing confronts Dracula in his lair, with a view to rescuing his kidnapped daughter from the count’s clutches. After a cliffhanger of a fight on the stairs, Van Helsing eventually triumphs, staking Dracula into the ground with all the unwavering strength and determination that his ancestor had.

But as was the case with Dracula’s Victorian adventures, so the modern world was not going to escape a grand vampire resurrection that easily. In the 1973 sequel to Dracula AD, The Satanic Rites of Dracula, the count is stirred from his grave by an eerie black mass, which involves such top brass people as MPs and Nobel Prize winning professors – not to mention a naked sacrificed blonde on an altar! Cushing’s Van Helsing again returns to do battle with his vampiric arch nemesis, this time by luring the count right into a hawthorn bush (and we all know what hawthorn does to vampires, don’t we? That is, if they are careless enough to walk right through one!). As Dracula screams and falls forward out of the bush, bleeding profusely from all the wounds inflicted by the hawthorn branches, Van Helsing again administers the coup-de-grace with the trusty stake – or, to be more precise, a piece of sharp wood which he breaks off from a nearby fence.

So, as it turned out, that would be it as far as Hammer making any more Dracula sequels was concerned. Sadly for us Dracula fans, there would be no more spectacular resurrections, no more wonderfully blood-soaked demises. Dracula was finally put to rest in Satanic Rites, and stayed in his grave forever. Pity, as I so loved the Hammer Dracula series that I would have loved to see the studio make one more – just one more – awesome Christopher Lee Dracula film.

In the late Seventies, I used to be a film critic. I reviewed movies mostly for magazines, which meant I saw all the new releases at least three months prior to their release date. In retrospect, it was a wonderful job, but at the time, I quickly grew tired of having to go to screenings every night in order to view the new films, most of which were rubbish! But, one advantage of being a film critic in those days was being given the opportunity to interview people whose work I admired. I interviewed almost everyone I wanted to in the film industry (Cary Grant, Robert Altman and the young Mickey Rourke included) except for George Lucas. I was invited to the first Star wars press junket and interrogated everyone on the spot, but unfortunately Lucas wasn’t there. One person who definitely wasn’t ‘there’ was Carrie Fisher who played Princess Leia. She was ‘out to lunch’, but her press office fibbed she was suffering from jet lag!

In the late Seventies, most of the National critics were middle-aged. In John Kobal’s book, ‘Top 100 Movies’, the majority of them predictably said their favourite film was ‘Citizen Kane.’ My top ten film in the book was ‘Night of the Living Dead’, because it was the only horror film which made me pass out screaming in the aisles. I wrote about it in “Frantic”, my novel about the early Seventies. ‘There was plenty of initial laughter when Night Of The Living Dead came on, and Alice proving she was no provincial, sniggered along with her fellow dingbats. But soon, the audience’s patronising laughter died away into terrified silence and during the horror classic’s unpredictable ‘jump’, Alice freaked, screaming her guts out and passed out mortuary cold in the aisles.’

I was in a gang of younger critics who were crazy about horror films. I interviewed Antony Perkins over lunch at Pinewood studios once. It was the best restaurant in town, as all the movie stars in costume had to line up to be served. Perkins had no interest in discussing Norman Bates, his Psycho character. All he wanted to talk about was the danger of sugar, and how he had managed to cut it out completely out of his diet. Several years later, when he was promoting Psycho III, which he had directed and starred in, I went along to his press conference at a West End hotel. He remembered my voice, but was furious with my colleague who asked him to describe the special effect for one of the murders in ‘Psycho III’. I can’t remember his exact words now – something like, ‘people like you are responsible for ruining the film industry.’ The critic for the Sunday Times at the time was so impressed with our pertinent questions, he begged us to attend his on stage interview with Antony Perkins at the National Film Theatre, so we could ask the actor outrageous questions afterwards.

I didn’t only get to interview people on film sets or in their hotel suites. I also went to their houses. In the Seventies, Tony Curtis had hired a house in Knightsbridge with his then wife Leslie, who had a huge cleavage and was kept busy, arranging the flowers.

‘What was it like working with Marilyn Monroe?’ was my first lame question. My interview technique in those days was to ask my victims innocuous questions at the beginning, lulling them into a false sense of security before hitting them with the ‘heavy’ ones.

‘Kissing Marilyn Monroe was like kissing Hitler,’ Curtis quoted his famous quote about his co-star in ‘Some Like It Hot’. After he had stopped ranting about Monroe, he enthusiastically showed me all his paintings and drawings and oozed charm. Richard Young, the paparazzo, who was my photographer at the time arrived in the middle of our interview and set up a load of equipment. In no time, Tony’s house resembled a photographic studio. ‘Is this really necessary for a snapshot?’ Curtis asked good-naturedly. Little did he suspect that Richard later sold the photo for a small fortune to international periodicals. Tony and I got on so well, that he invited me back to the house that same evening for a party. (He didn’t invite Richard).

Tony Curtis’s party was so pleasant, I can’t remember anything about it. Victor Lownes, Hugh Hefner’s second in command offered to drop me off at the Playboy club afterwards. When we got out of his chauffeured car, the usual hoards of hardcore hookers were waiting ourtside the club, ready to pounce on the high rolling Japs when they emerged from the gaming tables inside. ‘Arrest this girl, she’s a hooker!’ Victor ‘joked’ to the police. A perfect ending to a lovely evening!

copyright, 2006

It’s not that they have importance as to the fact that they are beneficial for consumers who enjoy going to the movie theater. When they came out with the concept of movie trailers it caught on really fast. Movie coming soon trailers are set into place on various web sites to provide people with a few scenes of various films.

They do not show the ending of a film however they do show scenes that would intrigue a person or make them curious to the point that they want to go to the theater and see the entire movie. Movie teaser trailers are sometimes called movie clips but they are still known to a lot of people now as movies trailers.

The more films that are released have the trailers released just before the film itself so it gives people the opportunity to view them. It is a neat way to find out about a specific film too. You might have heard about a film and wonder what it is about and there are several different web sites that you can go to in order to find the specific movie coming soon trailer that you are looking for.

It does not matter if the film is playing in theaters either, the movie trailers have still been set into place for consumer viewing. This allows individuals a chance to decide if it is going to be a good film or not. What some people might find interesting others might not.

In addition trailers are much better than still images that come from films because they are actually pieces of the movie and that goes along way with whether a person watches the film or not. Movies trailers have not been out all that long, it has not been but a few years since they started doing movie teaser trailers on the Internet. The internet is the only place you will find movie coming soon trailers and the only place where you can look up film web sites and find the one you are looking for.

For more information about movies trailer simply go online and find a film web site, you will most likely see the movie trailers that are now playing in theaters, then you get the list of movie teaser trailers where the films have not been released yet. In some situations it will tell you that the trailer is coming soon and to check back with the web site.

I understand that for most people, moving to Hollywood simply isn’t an option (especially in this economy), so in the meantime, the next strategy that we can undertake is to build up relationships via e-mail, with up-and-coming writers and directors in the industry. So now we come to a very important question: how do you find these up-and-comers if they aren’t famous yet?

This is where we come back to something that I’ve mentioned, time and time again, is a good idea — go to the movies. Seriously, start watching smaller independent films, or maybe you’re a music video person, and taking notes about who the person who directed it is, especially if you think that they have a visual style that will strongly complement your writing. If you’re a writer who is passionate about selling your script, but who never plans on directing a single second of one of their scripts, this will be especially important to you, as you’ll want to build up a partnership that lasts a while with that director, as trust is hard to build, and doubly so in this industry.

Up-and-coming actors are also people who you want to keep an eye out for in terms of selling your script. To begin with, I would try to watch independent films that are in the same genre as the one that you are most comfortable writing in. If you’re not a genre-specific writer, or if you’re in need of a solid actress specifically, and this may sound strange, but hear me out, try watching some low-budget horror movies. A lot of times, decent to more than moderately talented actors will take on parts in those kinds of films because they, simply put, need the money. Keep an eye out for the ones who turn in great performances in spite of bad scripts — those are the ones who want to work, and because of that, they’ll probably continue to do so.

Think of it this way — if you’re watching a movie and you notice someone’s performance standing out to you, what’s to say that a producer who works on larger projects won’t see the same thing? This is also another way the Internet can be very helpful to your cause of selling your script. Blogs, trailers, film reviews are key because if someone is about to break out in a big way in their career, you’re going to hear about it on the internet first, trust me. There are too many blogs and review sites for me to list here, obviously, but do your homework and find the ones that cover people who are new to the industry — if social media is buzzing about it, it’s at least worth checking out.